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Infiniti QX60 Monograph concept

In the past, a concept model was mostly a work of fantasy intended to wow crowds at motorshows but which the company would not be able to make for showrooms. Perhaps the excitement of seeing something futuristic has worn off and these days, manufacturers often show concept models that are close to what they will launch in a year or in a few years.

Displaying a future production model as a ‘concept’ allows the designers to get last-minute feedback from the public on certain ideas they may want to use. They may learn that people don’t appreciate a certain styling element and omit or modify it before production starts.

Future 3-row SUV
Infiniti, Nissan’s luxury brand, is displaying the QX60 Monograph this weekend at the Beijing Auto Show and it confirms that the concept model previews some of the proportions and design elements for the brand’s future three-row SUV.

“In crafting this concept, we wanted to change the tonality of the QX60 and transform the nameplate from a sculptural and architectural point of view. We raised the visual centre of gravity, giving it a strong, straight shoulderline that carries through to the bonnet, with a higher, more prominent grille, and longer-looking cabin to deliver a sense of muscularity and a commanding presence,” said Alfonso Albaisa, Senior Vice-President, Global Design at Nissan Motor.

Japanese inspirations
“The QX60 Monograph embodies the Japanese concept of ‘Ma,’ a sense of minimalism where designers seek harmony, adding just the right number of elements with very specific meaning to create something special. This is evident on the body, where at a glance it is simple, but when you get closer, you see that there are elements that are playing against each other in a sense of harmony,” Albaisa explained.

Focused solely on the exterior, the designers imagined the QX60 Monograph as a sophisticated yet functional solution for a busy, modern family. The proportions include a wide stance, sleek greenhouse, horizontal shoulder line and muscular wheel arches. The combination of which creates a commanding posture and defined SUV persona.

Advanced lighting appearance
Intricate ‘Digital Piano Key’ lighting at the front and rear projects a futuristic appearance and showcases how Infiniti blends human artistry with the latest technology. The inner structure of the headlamp features a shape and pattern of lines inspired by an electrical heatsink device.

Bright white at the front, and ultra-red at the back, the QX60 Monograph’s lamps are accompanied by the glowing ‘infinite road’ brand emblem. Combined, the opening light sequence begins at the logo and fans out to the headlamps in a dynamic welcome for drivers.

Viewed from the side, the Monograph shows off its horizontal bonnet, muscular fenders and long wheelbase. Paired with the gentle rake of the A-pillar and tapered, teardrop-like glasshouse, the result is a long sweeping, sophisticated profile. The roof flows into a subtly integrated rear roof spoiler — also in gloss black — to further enhance the car’s aerodynamic appearance.

At the rear, the wide body and track, complementing the horizontal window line give the QX60 Monograph a sense of poise and stability. Embossed with the INFINITI name, the SUV features large alloy wheels that fill the pronounced fenders and reinforce the performance-inspired aesthetic.

The rear lamps are tinted and, when turned off, appear to wrap around the back of the vehicle and into the rear flanks in one continuous shape. Illuminated, the piano key lighting shines through to form a beautiful, futuristic light signature.

Platinum paint and black roof
“The platinum paint on the QX60 Monograph projects a sense of warmth. The highly reflective nature mimics the qualities of liquid metal, allowing the surface of the body to capture the shadows and lights of the environment in which it is displayed creating a sense of dynamism,” said Taisuke Nakamura, Senior Design Director, Infiniti Global Design.

2020 Infiniti QX60 Monograph — A large panoramic roof features a ‘kimono fold’ pattern. This geometric feature, a series of intricate perpendicular lines, draws inspiration from the folds of a silk kimono and the structures of Japan’s modern architecture.

He explained that the black roof creates a strong contrast to the rich body colour for a dramatic visual statement. The pillars, roof, front, side and rear glass all seamlessly connect — giving a panoramic feel to the cabin and promoting a sense of openness. Slim-line roof rails provide a practical counterpoint to the QX60 Monograph’s sleek, sporty proportions.

“We commenced the design of the Monograph knowing this was an opportune time to start a discussion about where we are planning to take the QX60 in the future and more broadly, where we are heading as a brand with our design language,” said Albaisa, adding that the production version of the next generation QX60 can be expected in 2021.

*Current QX60 has been around since 2012 (known as JX35 at the start) and was Infiniti’s first 3-row SUV.*

Click here for other news and articles about Infiniti

Zero Concept by Lynk & Co to be unveiled at Beijing Auto Show this weekend

Lynk & Co, the global premium brand created in the Geely Auto Group, clearly has its eyes on the future and the future is going to be all about electric vehicles (EVs). Its ideas for the future therefore focus on pure electric vehicles and Geely Holding has even developed Sustainable Experience Architecture (SEA) for this.

Pure electric architecture for all
SEA is a pure electric architecture that will be used as the basis for all new EVs within the Geely Holding Group portfolio. It is the world’s first open-source electric vehicle architecture, and ‘open-source’ means that other third-party vehicle manufacturers will be able to use it for their own EV development. In this way, EVs can more quickly grow in numbers and enable manufacturers to reach efficient economies of scale for production costs to start dropping.

It’s like the architecture for the first Personal Computer (PC) that IBM developed in the early 1980s. This was open-source architecture that was freely available to everyone and very quickly, the availability of the PC from numerous companies led to it becoming the dominant system in what had been an industry fragmented by many different architectures and operating systems.

Next production model previewed
The Zero Concept model that Lynk & Co will display at the coming Beijing Auto Show will be the first model to be based on the SEA architecture. It will be the basis for a new model to go into production next year and also enter the market before the end of 2021.

The Zero Concept was designed in Lynk & Co’s Gothenburg design studio in Sweden. It is the second concept car from the brand after the CCC Concept Car which was unveiled in 2016. It set the design direction for the Lynk & Co brand as it grew from one model, the 01, to encompassing 5 different variants – SUV, crossover, coupe SUV and sedan.

The Zero Concept is an extension of the original CCC Concept in its execution, utilizing Lynk & Co’s unique design language that has a clear expression. Clear graphical lines push boundaries and work to highlight the technological aspects of the Zero Concept’s design language.

“The dedication that went into the Zero Concept was incredible, and the result has been first class design with state-of-the-art technologies that allow for a zero-emission future. We have encompassed passion, performance and pure electrification into the Zero Concept,” said Peter Horbury, Senior Vice-President of Geely Design.

Positioned as performance touring coupe
The SEA architecture has given the designers the possibility to create a vehicle with perfect proportions with low overhangs both front and rear, with a wheelbase that is just under 3000 mm. Its dynamic sporting profile positions the Concept Zero as a technology-orientated performance touring coupe.

Sustainability has been placed at the forefront of the Zero Concept with the use of high-tech sustainable materials being used throughout the design strategy that will further enhance the production variants zero emission credentials.

Drivers can expect the range of the production model to be in excess of 700 kms with a fully charged battery pack, according to Lynk & Co. Like many EVs, it will also off brisk and zippy performance with a claimed 0 to 100 km/h time of under 4 seconds.

About Lynk & Co
Although the brand is already 4 years old, it is still not well known globally as much of its marketing focus has been in China. The company was formed as a joint venture between the Geely Auto Group and the Volvo Car Group as ‘a challenge to the established automotive industry with an offering that meets the needs and requirements of a new generation of globally connected consumer’.

It developed a new business model, an open API, personalized services, sharing possibilities and the first dedicated app store for cars.

Since entering the market with the 01 SUV in 2018, Lynk & Co has sold over 300,000 cars. The tech-laden SUV is built on the Compact Modular Architecture (CMA) that was co-developed between the Geely Auto Group and Volvo Cars.

The brand has planned a roll-out of products in the Netherlands, Sweden, Germany, Belgium, Italy, France and Spain towards the end of this year, with the North American market to follow.

LYRIQ concept previews Cadillac’s first EV for the showrooms

Mention Cadillac and most people outside the USA will have an image of a big, heavy, fuel-guzzling limousine. That’s what the cars of the 118-year old company looked like for decades, with the ultimate being ‘The Beast’ which is the nickname of the car used by the US President.

Like the other American carmakers, Cadillac was aware of the need to be indifferent to the issue of fuel consumption, especially after the energy crises of the 1970s. But it still had big engines that traditional customers liked, although new technologies helped make them fuel-efficient and new materials and engineering reduced weight.

But there’s a limit to how much an internal combustion engine can be improved, and manufacturers are now switching to electric motors that require no fossil fuel at all. Cadillac is readying for the transition. It has revealed its first all-electric vehicle (EV) as a concept model with the production version expected to go on sale in late 2022,

To use GM’s Ultium EV platform
Known as the LYRIQ, this is a crossover SUV based on GM’s next-generation, modular EV platform and driven by the Ultium propulsion system. With range being one of the biggest factors when it comes to selecting an EV, the target is 480 kms or more of range on a full charge. Charging options that fit a variety of preferences include DC fast-charging rates over 150 kW and Level 2 charging rates up to 19 kW.

The Ultium’s NCMA (nickel-cobalt-manganese-aluminium) chemistry uses aluminium in the cathode to help reduce the need for rare-earth materials such as cobalt. In fact, GM engineers reduced the cobalt content by more than 70%, compared to current GM batteries.

The advanced battery chemistry is packed in large, flat pouch cells that enable smart module construction to reduce complexity and simplify cooling needs. Additionally, the battery electronics are incorporated directly into the modules, eliminating nearly 90% of the battery pack wiring, compared to GM’s current electric vehicles.

Within the LYRIQ, the Ultium battery system is a structural element of the architecture, integrated in ways that contribute to ride and handling, as well as safety. In fact, the lower centre of gravity and near 50/50 weight distribution enabled by the placement of the battery pack provides benefits to handling.

Additionally, the LYRIQ is driven primarily by the rear wheels, with a performance all-wheel drive option available. The placement of the drive motor at the rear gives an even greater feeling of balance and agility. It also enables the system to channel more torque to the pavement without wheelspin for exhilarating acceleration and greater cornering capability.

Vehicles equipped with performance all-wheel drive go a step further, with a second drive unit placed at the front which allows for a significant amount of tuning flexibility, enhancing vehicle dynamics and performance.

New architecture, new possibilities
Inside, the LYRIQ’s new architecture opens up possibilities in spaciousness and design, encouraging the designers to rethink how to use the space and where to locate various interior elements. The more airy, minimalistic design does more to involve the driver and passengers in the driving experience while offering exceptional functionality when it comes to storage solutions.

The LYRIQ is said to offer Cadillac’s highest level of driver information, infotainment and connectivity integration. A 33-inch diagonal advanced LED display integrates a single, large screen that spans the viewing area for the driver and incorporates driver information details, infotainment controls and camera views.

This new display has the highest pixel density currently available in the automotive industry and can display over one billion colours. That’s 64 times more than any other vehicle in the industry.

A new dual-plane augmented reality-enhanced head-up display employs two planes: a near plane indicating speed, direction and more, and a far plane displaying transparent navigation signals and other important alerts.

Active noise cancellation technology
For the first time, Cadillac will introduce a new road noise cancellation technology, which takes active noise cancellation to the next level by introducing more microphones and accelerometers. With this new system, Cadillac’s performance and audio engineers can target the frequency range of tyre cavity noise, reducing the noise level in the vehicle and allowing for a quieter in-cabin experience.

The LYRIQ builds on the brand’s exclusive partnership with AKG. The objective was to deliver a sound experience that would transport the driver into a recording studio. The result is a 19-speaker AKG Studio audio system that delivers exceptionally crisp and precise sound reproduction.

“Led by LYRIQ, Cadillac will redefine American luxury over the next decade with a new portfolio of transformative EVs,” said Steve Carlisle, Executive Vice-President & President, GM North America. “We will deliver experiences that engage the senses, anticipate desires and enable our customers to go on extraordinary journeys.”

Slavia open-top concept is seventh Skoda Students Car

Skoda, the Czech car company which is part of the Volkswagen Group, has been around since 1895 and over the many decades, it has ensured that the spark of creativity is maintained as different generations of employees come and go. One of the ways it has achieved this is through the Skoda Vocational School which was established in 1927 because of the need for qualified workers.

Each year for the past seven years, the students have been invited to come up with a concept car and for this year, the seventh Skoda Student Concept Car is one which links the past with the present. Designed by 31 students attending the vocational school, the open-top Slavia also concept pays homage to this year’s anniversary of the company by commemorating the name of the first bicycles produced by Vaclav Laurin and Vaclav Klement after they founded the company in 1895.

The spider variant of the Scala production model combines the contemporary compact car’s bold and exciting lines with a common design standard from the earliest days of motoring, when most automobiles were open-top vehicles.

Skoda Scala — *The Scala, from which the Slavia concept has been adapted.*

*The students also took inspiration from the 1957 Skoda 1100 OHC, a sports prototype developed as an open-top two-seater racing car for endurance rallies.*

From the first draft to putting together this one-off car, the students completed every step themselves. Of course, there was also guidance and support from their instructors as well as experts from Skoda’s Design, Production and Technical Development departments.

“The Student Car is the Skoda Vocational school’s annual flagship project. For the seventh year running, our students are demonstrating the high standard of our in-house training by planning, designing and building an impressive one-off car. We enable them to design their dream car, working with professionals from our various departments. As a result, their training already familiarises them with processes that will become part of their working lives later on, when they graduate from our vocational school and embark on a career in our company,” explained Alois Kauer, who took over as Head of the Skoda Academy in February 2020.

Skoda Slavia — *The students designed the Slavia and then built it themselves as a project car.*

The 31 students involved in the seventh Skoda Student Car marks the first time the project participants have chosen the Scala as the basis for their personal idea of a dream car, turning the compact hatchback model into a particularly sporty spider. The Slavia, as in the production version of the Scala, has a similarly distinctive design, defined by precise lines and sculpted surfaces.

The matching dynamic performance of the topless car comes courtesy of the familiar 1.5 TSI petrol engine with an output of 150 ps, which goes to the front wheels through a 7-speed DCT. Other carry-overs from the production model include the front and rear axle, steering, the complete electronics including cabling as well as the assistance systems. The instrument panel, Virtual Cockpit and infotainment system are also retained in their original form.

Whether the Slavia will serve as the basis of a future production model remains to be seen. But it is well known that the work of the students has always impressed the designers at Skoda and who knows, perhaps they will draw inspiration from it.

Hyundai’s Head of Design talks about the Vision T Concept (w/VIDEO)

In the fourth quarter of year, Hyundai Motor displayed the Vision T concept, first revealed at the Los Angeles International Auto Show. The model gave a preview of some of the styling ideas that the Korean carmaker is exploring and recently, the Head of Hyundai Design, SangYup Lee, presented a deeper look at the concept.

In the video, he explains the key characteristics of the car’s design: dynamic architecture, sharp edges and straight lines, and geometric design features called ‘parametric dynamics’.

He first draws attention to Vision T’s sporty stance, which can be seen in its low bonnet, short front overhang and wide wheelbase. He then goes on to explain the parametric dynamics: a chiselled surface, a combination of soft surfaces and hard lines, and sharp, geometric edges. The car’s architecture is compared to a mineral or a crystal which has been struck by a hard object and then shattered.

Geometric patterns in the front grille, including hidden headlamps, give a jewel-like quality. When the car is in motion, the air intake flaps actually move, so the vehicle almost seems more like a living animal rather than a static machine.

The integrated architecture ensures a continuity throughout all elements of the vehicle, such as the hidden headlamp design which is repeated in the taillights.

“We really wanted to create Vision T as the most avant-garde, the sportiest, freshest CUV. The most dynamic CUV as a vision that we wanted to introduce,” he says.

Vision T represents one step in the evolution of Sensuous Sportiness, Hyundai’s signature design identity. Hyundai concept cars do not stand alone – they inform the design direction of future Hyundai models, which encompasses both concept and production cars.

Aspects of Vision T such as the sharp angles and straight lines can clearly be seen in 45, an earlier concept car. While the connection to Prophecy, the company’s most recent concept car, is less apparent, all three models are united under the Sensuous Sportiness design identity.

LOOKING BACK: When Proton built a Satria Convertible

Proton has never had a convertible model in its range but 20 years ago, it built one as a concept study based on the Satria. The model was displayed in Germany as well as China, besides the 2001 KL International Motor Show. Although there was positive response, Proton did not go on to develop it as a production model.

Why Nissan designers didn’t put a tablet display in the Ariya Concept

When digital graphic displays were available for use in cars, they were inserted in the dashboard, usually in the middle section. Before long, interior designers began to bring the display ‘out’, giving it the form of a tablet like an iPad slotted onto the dashboard. Perhaps this made installation easier and users would also have appreciated the familiar tablet shape.

However, Nissan designers who work on next-generation vehicles consider other aspects as they attempt to balance design, technology and utility. For the Ariya Concept, they chose a different path when developing the display.

This prioritized design and vision over the latest trends. Instead of a tablet, the all-electric crossover has a curved, two-screen display reminiscent of a wave. It adds to the sense of a ‘horizon’ throughout the car, from elements in the door all the way to the rear of the cabin.

The layout reflects Nissan’s new ‘Timeless Japanese Futurism’ design language, also expressed in the Ariya Concept’s unique frontal ‘shield’. But the horizontal design wasn’t chosen for its good looks alone. In addition to conveying information better for the human eye, the layout does so from a safer location — in the line of sight, closer to the road.

By matching the cabin’s horizon aesthetic, it becomes a seamless part of the dashboard. Nissan’s design team calls this engawa – the undefined space between where you are, and where you are going.

“The human eye naturally looks from side to side when driving,” explained Tomomichi Uekuri, Senior Manager of the engineering team involved in HMI (Human-Machine Interface). “People can see and absorb more information if it’s laid out horizontally. Peripheral vision works this way as well.”

The Ariya Concept’s display keeps driving information in an instrument cluster location similar to that of a traditional car, while displaying entertainment information, comfort controls and system status in the centre screen. Both are wrapped together in a sleek panel that flows seamlessly between driver and passenger.

Even though there are two screens, information can move or be swiped between them to create the feeling of a single display. For example, if you want your route directions and map in front of the steering wheel, they can appear there. They can also move to the centre, or disappear when no longer needed.

“The display’s wave construction is innovative and utilizes an ergonomic layout for both the meter display and the centre display, not only for visibility, but also allows the driver to easily reach the touch screen,” Uekuri said.

It took the design team many tries to arrive at the innovative display. The team built similar displays into a large black ‘box’ that they affectionately named ‘the Monolith’, a nod to the movie ‘2001: A Space Odyssey’. They chipped away, figuratively speaking, at the housing until it became what’s seen in the final concept car.

As a result, the sleek, seamless display looks like a natural, integrated part of the interior design – not a slab out of time and place.

LOOKING BACK: The 1970 Alfa Romeo Montreal

Sometime in early 1967, Alfa Romeo received a call from the organizers of Expo 67, a World Fair that was to be held in the Canadian city of Montreal. This event had a theme to show what could be expected in the future for ‘Man and his world’. One of them was dedicated to industrially manufactured products, including the automobile, under the topic of ‘Man the Producer’. The organizers invited Alfa Romeo to provide a concept car to highlight this area.

Honoured to be invited to participate, Alfa Romeo immediately commissioned Bertone, the design studio. At that time, designer Marcello Gandini was a rising star and not yet 30 years old, he had just created worldwide enthusiasm with the Lamborghini Miura. Later on, he also drew attention with this work on the Lancia Stratos and Fiat 132.

*The Montreal concept car shown at Expo 67 in Canada and the production version that went on sale 3 years later (below).*

Gandini came up with a coupe concept for Expo 67 which was unique and incorporated many interesting details. These included ‘optically fused’ B/C pillars and the double headlights half covered by a louvre grille. A vertical row of air inlets behind the doors and a large, glass tailgate suggested that the engine would be at the back. However, due to time constraints to produce two units, Alfa Romeo used the Giulia platform which had the engine at the front.

It had an overall length of 4.22 metres (slightly shorter than a first generation Mazda RX-7), within which there were seats for two occupants at the front and the possibility of two more ‘emergency seats’ at the rear.

At the Montreal expo site, the concept cars were placed between mirrors in such a way that they appear to be multiplied to infinity. Although the concept cars, finished in white, did not have a name, they got the unofficial name of ‘Montreal’.

The response of visitors was enthusiastic and Alfa Romeo received many enquiries from North America and the rest of the world to find out when such a car would be in showrooms. This encouraged the company’s management to authorise production but the engineers had to moderate the costs involved.

The chassis was maintained as that of the Giulia while the body design was only changed in the details where manufacturing or regulations made them incompatible. The grille above the headlights was retained with a minor change and when the headlights were switched on, the two slats folded down mechanically and release all four lamps completely. The air inlets that signified a mid-engine layout were retained but as there was no engine at the back, the ducts were routed into the cabin to bring in fresh air.

The performance of the Montreal matched its looks with the V8 engine from the Tipo 33 sportscar. This engine has features from racing engines such as dry sump lubrication, allowing it to be set lower, and weight-saving aluminium construction.

The engine displacement was increased from 2 litres to 2.6 litres with fuel delivery by a mechanical injection system from SPICA. The V8 produced an impressive 200 bhp at 6,400 rpm and 235 Nm peaking at 4,750 rpm. A 5-speed manual transmission (with first gear position on the lower left) from ZF sent power to the rear axle which had a limited slip differential. Tests by Quattroruote magazine showed the car to be able to reach 224 km/h after reaching 100 km/h within 7.1 seconds.

The Montreal went on sale in early 1970 and would continue to be available until 1977. Its high price, however, meant that sales were limited and by the time production ceased, 3,925 units had been built. City Motors, the importer in Malaysia, brought in at least unit, if not a few more.

Alfa Romeo Montreal Vision GT concept — *Although not officially included in the Vision Gran Turismo range, this Alfa Romeo Montreal Vision GT rendering attracted a lot of attention last year.*

Seventh Skoda student concept car project underway

Skoda, the Czech carmaker has been training and developing talent for more than 90 years at its Vocational School in Mlada Boleslav. In the first year, 58 students began their training in three different specialist areas. Today, more than 900 students (13% female) are enrolled in 13 full-time courses and three postgraduate programmes at the Skoda Academy.

The quality of training will be put to the test in the seventh Skoda student concept car project. 20 students from the academy are involved in the ambitious project this year. They have decided to design and build an open-top Spider version of the new compact Scala model.

Watching and learning from the professionals
At a workshop in the Skoda Design department, the participants met the company’s Head Designer, Oliver Stefani, and put their first ideas down on paper with him and his team. The still-unnamed project car, which the students will be constructing according to the design, will be presented to the public in early June.

During the visit, they were allowed to watch Stefani and his team in their day-to-day work and to create their own drawings. “Despite the increasing use of computers and simulations, drawing is still an essential part of automotive designers’ work. With every stroke, an idea turns into something real. A sketch is the first of many steps on the long and exciting path to a new car,” explained Stefani.

Support from engineers
Throughout this project, the up-and-coming talent will receive support from engineers and experienced employees from the areas of technical development, design and production within the company. The apprentices have expressed a wish to make the car’s clear lines and emotive shapes more prominent in the spider version to emphasize the vehicle’s overall dynamics.

“From the beginning, all the participants showed great enthusiasm and determination. Their sketches are very impressive, I really like the concept,” said Jiri Hadascok, exterior design coordinator at Skoda, adding that the professionals were impressed with their enthusiasm and receptiveness.

Designing a concept vehicle and then building it by hand is the highlight of all apprenticeships. “We are all delighted to be part of this project. As a student, where else do you get the chance to put your own ideas and vision into designing a car and then actually build it yourself? Drawing our first sketches was lots of fun, and we learned a lot from Oliver Stefani and his team,” said one of the participants, Vojtech Spitalsky.

RUF’s Porsche-looking Rodeo Concept for off-roading

RUF is well known to enthusiasts and Porsche fans for its custom creations that are not just original Porsches but can be considered independent designs which utilise only the Porsche chassis. In Fact, RUF Automobile is recognised as a vehicle manufacturer by the German government and its production models have their own identification numbers (VIN).

The company’s history goes back to 1939 although it is only from the late 1970s that it began to be noticed for its sportscars. As at other carmakers, RUF’s designers have many ideas but not all can be commercialised and sometimes, they start a project to build a concept car.

The latest is the Rodeo Concept, inspired by the Rodeo Drive Concours d’Elegance and its founder – and friend of RUF – Bruce Meyer, as well as by Ralph Lauren and his 2011 Western Collection as well as RUF enthusiast and collector Phillip Sarofim who has roots in Texas.

The car features the same carbonfibre monocoque chassis as the CTR Anniversary and the SCR, but with a 4-wheel drive system, larger all-terrain tyres, longer-travel suspension and other features for off-road use. The Rodeo Concept can accommodate either a normally-aspirated or turbocharged RUF flat-six engine.

“When we began building our own automobiles, it was all for the thrill of the drive,” said Estonia Ruf, Marketing Director of RUF Automobile GmbH. “The Rodeo Concept combines that passion for cars with the love of western culture – an appreciation I found while studying in Oklahoma, USA. This car is inspired by some of our favourite people and our love for the countryside.”

First production SCR
At the unveiling of the Rodeo Concept recently, the company also presented its first production RUF SCR. The 1,250-kg SCR uses a 4.0-litre normally-aspirated flat-six engine producing 510 bhp/470 Nm and is mated to a 6-speed manual gearbox. The rear spoiler generates high downforce to keeps the SCR stable at its claimed top speed of 320 km/h.

The SCR has had a place in the brand’s history for 42 years, having had its premiere in 1978. The original SCR was powered by a 6-cylinder engine with 3.2-litre displacement and its power output could be uprated to 217 bhp.